Everyday Sociology Blog

Moral Panics in 2020

By Jessica Poling

It is no secret that 2020 has been a time of public unrest. Mounting outcries regarding police brutality, gender inequality, and the Trump administration’s mishandling of climate change and COVID-19 dominate the daily news cycle, our social media pages, and conversations with friends and family.

Alongside these very legitimate concerns are political conspiracy theories that have slowly gained space in the public discourse and enraged (predominantly) conservative Americans. We can use sociologist Stanley Cohen’s theory of “moral panics” to understand why these conspiracy theories have gained public prominence, and what their impact has been on our country.

Neighborhood Culture and Halloween in the COVID-19 Era

By Janis Prince Innis

Four teenage girls flew across the street, screaming! They leapt into the golf cart at the side of the road as one kept glancing over her shoulder and yelling, “Go! Go!”

I followed her gaze and saw an epically tall man come down the driveway, with an increasingly worried expression on his face. “Are you okay?” he asked. Somehow the girls were still parked in the golf cart and whipping their heads back and forth as if drawn to, yet afraid, of the figure. He apologized: “I’m sorry I scared you.” And with that, the girls hopped out of the cart, and ran back to the house, presumably to be further scared by the Halloween festivities!

Have you ever considered that neighborhoods have distinctive cultures? Even in the same city, neighborhoods can differ quite dramatically with regard to the norms, behaviors, and values—all characteristics of culture—that seem to dominate. Neighborhoods can have a shared identity or culture. Considering neighborhood norms—that is, those largely unspoken rules that tell us what is acceptable is one way to examine its culture. Norms, however, can be stifling, so as sociologists point out, societies take moral holidays or have moral holiday places as a respite that  gives people a chance to break norms.

Folk Games

By Jonathan Wynn

I came across a Twitter thread of folk games, which are not board games but rather interactions that appear to be highly improvisational. Take a few minutes to click through and get a few well-deserved laughs. 

But it got me thinking about games. Partly because COVID-19 restrictions have limited opportunities for in-person social interaction,  the video gaming industry is booming. Sales have been high, even if production has been down.

Although I certainly loved my Atari 2600 when I was a kid, I’ve not really kept up with gaming. There are others who are definitely gamer sociologists. Jooyoung Lee uses Twitch (a videogame streaming site owned by Amazon) to teach his classes, and Ian Larson is a gamer and a sociologist who hosts a blog about the sociology of video games. (Karen Sternheimer wrote a post about research methods and video games ten years ago.)

Empty Pedestals, Monumental Culture

By Jonathan Wynn

A non-trivial aspect of the wave of protests over the last few months has been focused on public monuments.

The Theodore Roosevelt statue at the National History Museum will be replaced because of its representation of racism and colonialism. Controversial former Philadelphia mayor Frank Rizzo’s statue has been removed. Statues of Robert E. Lee, Stonewall Jackson, and other confederates are being removed on Richmond’s Monument Ave. Christopher Columbus statues are also being brought down in several states. This movement didn’t start weeks ago, however. The University of Texas Austin campus removed its statues of Jefferson Davis and Woodrow Wilson in 2016.

YouTube, Upward Mobility, and Inequality

By Karen Sternheimer

These days, much of my “television” watching is on YouTube. I’m not unique—according to Google’s CEO (Google’s parent company owns YouTube), about 2 billion logged-in users use the site each month. As of 2018, there were an estimated 23 million channels. All this got me thinking about how news of YouTube fortunes may make many of us think that our financial future is online, especially during tough economic times.

The channels I watch most feature what seem to be ordinary people who have somehow found a way to monetize their skills: a fitness channel I use to work out has more than 6 million subscribers; two channels I am using to learn German have over a half million subscribers each, and one of the creators had been traveling the world and made her videos from wherever she happened to be at the time. I watch a lot of travel videos as well, including some by people who had been able to travel full time, thanks to YouTube success and sponsorship deals.

Putting the “Diplo” in Diplomacy: Music as Soft Power

By Jonathan Wynn

This summer, I’ve been obsessing over Wind of Change—a podcast about the CIA’s possible involvement in the titular 1990s global mega hit by the German rock band, The Scorpions. The story unravels the sometimes-shadowy threads between music and foreign policy, and gets us to think about how culture is used.

I absolutely remember ”Wind of Change,” but didn’t think it was as big a hit as ”Rock You Like A Hurricane,” a song U.S. readers might recognize from a commercial. But “Wind of Change” was a theme song for the revolutions behind the Iron Curtain, culminating in the end of the cold war, and I was shocked to learn that it is the fifteenth most purchased song in history, outranking any Beatles song. The podcast is a fantastic journey into how the U.S. government has secretly used American music, from jazz to hard rock, to further its own interests overseas.

A Sociological Celebration of Baseball

By Todd Schoepflin

I love baseball. It’s always been in my life. In childhood it was playing Little League baseball, watching Major League Baseball games, and playing the All Star Baseball board game. As I got older it became attending minor league and major league games. Now, as a parent, it’s playing catch with my kids and watching one of them play on a team. While my 12-year-old is drawn to soccer, my 9-year-old has a passion for baseball. In any other spring, he’d be busy with baseball practice and starting a season of games. But in this spring and summer, we don’t know if he’ll get to play baseball, as COVID-19 has interrupted life as we know it. We’re still playing catch at home, and his brother tosses wiffle balls to him in the backyard, but there’s no way to replicate playing the game.

As I reflect on our pause from baseball, I’m sad for all that he’s missing. First and foremost, I think of time missed with his teammates. If we remember not to take youth sports too seriously, we appreciate it as a form of play. If we don’t get caught up in wins and losses, we see value in the simple act of kids playing together. They socialize. They laugh. They fool around. They run around and burn energy. They get dirty. They have fun.

What’s in a Name?

By Jonathan Wynn

I’ve thought a lot about names since reading a chapter in Freakonomics called “A Roshanda by any other name,” over a decade ago. (Here’s an update in podcast form.) Perhaps some of you have had the paralyzing struggle of having to name a child (or being a parent) while also trying to think about sociology. It’s tough. Sociologist Dalton Conley, somewhat famously, named his daughter E and his son Yo Xing Heyno Augustus Eisner Alexander Weiser Knuckles Jeremijenko-Conley.

Names can say a lot. What were the reasons behind your name? Was your name popular? Is your name one you share with other family members? Do your professors do a terrible job pronouncing it? As Karen Sternheimer notes, it’s important to know someone’s name in class. But let’s lend some sociological insight onto the topic.

Lizzo and Sociocultural Constructions of the Body

By Angelique Harris

Anyone listening to the radio or pop or hip-hop streaming stations lately certainly were aware that 2019 was the summer of rapper, singer, songwriter, and flutist, Lizzo. Born Melissa Vivianne Jefferson in the late 1980s, Lizzo had been writing and producing music for several years before her music began topping the charts over the past year.

One of the key aspects of Lizzo’s work is the focus on acceptance and diversity. Her songs promote confidence (“Truth Hurts”) while celebrating race (“My Skin”) and diverse bodies (“Tempo”). For many, her frank and open discussion of her body, sexuality, and her overall musical abilities has led her to have an immense following. Her fans, dubbed “Lizzbians” include former Malcom in the Middle actor, Frankie Muniz, who tweeted a request to Lizzo, asking her to make him her “purse.”

The Social Life of Physical Fitness

By Jonathan Wynn

I’m not what you would call a health nut. I only started going to the gym after I threw out my back. To be honest, I mostly hate it. I need to have Netflix on my phone (which is why a disproportionate number of my posts are about Netflix shows), have a few other televisions on ESPN, CNN, and HGTV above the mirrors, and a room full of people to watch. It’s then, and only then, that I can press the awareness of physical exercise out of my mind and run a few miles. Blah.

But it seems like most folks really like that kind of thing. If you think of health is a big deal right now, you’d be right. According to Forbes, the fitness industry is a $30 billion business—growing at an annual rate of 3-4% since 2010. If hashtags are a more meaningful metric for you, how about this: the Harvard Business Review, asking “How Did Self Care Become So Much Work?” noted that the hashtag #selfcare exploded on Instagram between mid-2018 to mid-2019, from 5 to 17 million posts.