Everyday Sociology Blog

"Fast Car" and Country Music

By Jonathan Wynn

Perhaps the highlight of the 2024 Grammys was Luke Combs’ duet with famously limelight-averse Tracy Chapman, singing Chapman’s “Fast Car.” While I had been pondering this song for over a year, it took the Grammy performance to really get a sense of what was going on here, especially with Beyoncé’s new songs promising to spark new controversy over what “country music” should be.

Combs’ version of the song is likely the one that most college-aged Everyday Sociology Blog readers know, but when most of your older professors (like me) were of a similar age, Chapman’s song was a big deal. These days, most hit songs come and go but, in 1988, the song was in heavy rotation. It was on the radio; it was in the mall.

Sharing Popular Culture: From Syndication to Streaming

By Karen Sternheimer

Although I grew up in the era before streaming video was possible, let alone the dominant way that most consumers and I now watch content. (We used to call it “watching television” or “watching TV,” but that’s not always the device of choice to watch video now.) Canceling our cable was freeing a few years ago, and we realized that between YouTube and PBS Passport we were all set (we’ve had Netflix, Hulu, and Disney+ over the years too). This appeals to my minimalist sensibility.

I was a child when cable television became widely available in the 1980s, and I had to convince my parents to subscribe after most of my friends’ families already had. My siblings and I had to pay for the installation and do extra chores as part of the agreement to subscribe. I think they wanted to be sure we wouldn’t spent too much time sitting in front of the TV.

There are No Heroes Here: Killers of the Flower Moon and the Treatment of Indigenous Peoples

By Rob Eschmann, Associate Professor of Social Work, Columbia University

[email protected]

This post contains spoilers for the 2023 film, Killers of the Flower Moon

Killers of the Flower Moon is as good as you expect it to be, directed by Martin Scorsese and featuring spectacular performances from Robert De Niro as Bill “King” Hale, Leonardo DiCaprio as Hale’s easily influenced nephew Ernest Burkhart, and Lily Gladstone as Molly Burkhart, a beleaguered yet resolute Osage woman married to Ernest. Even the story behind the film is inspiring, as Scorsese worked with the Osage Tribe leadership, employed over one hundred Osage as extras, and was intentional about avoiding the Hollywood trope of Indigenous folks in trouble, White man to the rescue.

But don’t expect to like this film. Expect unease. For three and a half uncomfortable hours my heart broke for the Osage community as I held my breath, waiting for some respite, for the calvary to show up and save the day.

Writing an Op-ed: Lessons in Public Sociology

By Jonathan Wynn

I have a book coming out in a few weeks on hospitals and their communities. One of my co-authors and I are hoping to write an op-ed that will bring some of the knowledge from the book (particularly the policies recommendations we are making) to the wider public. Sociology should always be looking for ways to reach a wider audience, and do more public sociology.  

When aiming to write an op-ed, one of the things that authors will look for a “news peg.” These are very recent events in the news that a writer can use to make a wider point about some political or social issue. When the Fyre Festival debacle occurred, for example, I was able to co-author an op-ed about the financial risks and rewards for small bands to participate in music festivals. In my local paper, when a recent controversy arose about the renovation of my small town downtown strip, I was able to write about Jane Jacobs’ more pedestrian-focused approach to urban planning.

The Irony of Tiny Houses: Commoditizing Rebellion

By Alice Wilson, PhD Student, University of York (UK)

Capitalism is amazingly good at devouring the things that would seek to challenge it, then packaging that same thing up and selling it back to people through its own market tendrils. It is somewhat of a superpower.

Tiny houses are one of the more recent examples of this. (I did a TEDx talk about people's motivations for living in a tiny house and what your life might be like if you lived in one.)

A tiny house is a compact living space, often ranging from 100 to 400 square feet, designed to provide all the essentials for daily living. These homes, which can be stationary or mobile (like those on trailer foundations), prioritize minimalism and efficient use of space. They've gained popularity as a response to rising housing costs and a desire for simpler living and reduced environmental footprints.

Cash Only: Culture, Convenience, and Inequality

By Karen Sternheimer

I recently had an embarrassing tourist experience. While on a hike in the Bavarian Alps, we had a choice of how to exit the trail: through a popular gorge, which would take about 90 minutes with a fee of 6 euros per person, or through an alternate route, which would add an additional 2 hours to the hike.

We had already been hiking about 6 hours and were tired. Let’s go through the gorge, I said, knowing that we might not have the 12 euros in cash, but we had credit cards. Surely, they would work as a last resort in such a situation.

Monetizing the Natural World, 2023 Edition

By Karen Sternheimer

Last year, I wrote about popular attractions in the French and Swiss Alps, focusing on how the privatization of nature makes ultra-scenic spots all but off limits for those without the means to pay to enjoy them.

I was back again this year, this time in Germany and Austria for more Alpine hiking and sight-seeing. And while not as slickly marketed as in Chamonix, France, or the Jungfrau region of Switzerland, I observed other ways in which the natural world was monetized.

Selling Old Towns: Consumption and Hyperreality

By Karen Sternheimer

I’m a sucker for an old town when I’m traveling, and based on the crowds I regularly find on these visits, I am not alone.

Old towns hold out the promise of a walk into history and a chance to see something that we seldom get to see in our daily lives. They feel like they represent the most “authentic” aspect of a place, one that might distill the essence of what it means to visit this locale. In contrast to the mundane, everyday nature of most places, old towns seem like they offer something special.

Beer, Identity, and Place

By Karen Sternheimer

I recently visited what is arguably the beer capital of the world, Munich, Germany. I’m not a beer drinker, even casually, but the cultural meanings people create surrounding beer interest me. Through many ads and signs, it was clear that part of what beer makers advertise is its connection to a particular place.

First, a brief history: Munich, called München in German, literally translates to “Monks” in English. Augustinian Monks brewed beer at least as far back as the fourteenth century, as the alcohol made safer to drink than water. Claims that the first brewery was near Munich help solidify the historical connection, and of course Oktoberfest, a two-week long festival each fall that celebrates beer (among other things) continues the tradition.

Social Media and Digital Resistance

By Karen Sternheimer

It’s not hard to find stories decrying social media. From concerns about mental health, bullying and eating disorders, wasting time, and spreading misinformation, the presumptive “harm” of social media has become taken for granted, especially where young people are concerned.