By Colby King
Did you know that before any U.S. city had a system of electric street lighting, Americans could see electric lighting at the circus? In 1878, James Bailey lit his circus with electricity, and as a result a large proportion of American saw electricity for the first time at the circus. Bailey even sold tickets for tours of the generator.
I learned this and a lot more from the recently aired documentary The Circus, from American Experience and PBS. The documentary illustrates the vibrant and problematic history of the circus, and underscored how the traveling circuses of the late 1800s and early 1900s were a quintessential part of U.S. society.
As someone who studies urban sociology, I was struck by the ways in which the circus functioned as a sort of traveling city. The film quotes one attendee describing the circus as:
a city that folds itself up like an umbrella. Quietly and swiftly every night it… [picks] up in its magician’s arms theatre, hotel, schoolroom, barracks, home, whisking them all miles away, and setting them down before sunrise in a new place.
Just as cities of the industrial era brought new patterns of social life, the circus brought culture and diversity, opportunities, and exploitation to the places it visited.